Love Like Blood: 14 (Di Tom Thorne)
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Description
Like many people, I watched the first episode of the TV series Written In Blood in which Simon Toyne interviewed Mark Billingham about the case which inspired his book, Love Like Blood. Now I don't know anybody who wouldn't have been moved an indeed horrified by the true story of Banaz Mahmod and the way in which she suffered at the hands of family for the simple act of falling in love with the wrong man. It is something in Western culture that we take for granted - the basic right to love and be loved by those whom we choose not those who are chosen for us. And yet in some cultures, this still remains an impossible dream. To those who disobey or 'dishonour' their family, a fate such as that which befell Banaz is sadly far more prevalent than any of us would like to accept.
DI Nicola Tanner is convinced her partner’s murder was a case of mistaken identity & she was the real target. Tanner has a theory about some recent honour killings in London. It’s a sensitive subject & she hasn’t exactly endeared herself to members of the religious communities involved. Billingham's detective character Inspector Tom Thorne first appeared in his 2001 debut novel Sleepyhead. The character has since appeared in the majority of his works, except In the Dark, Rush of Blood, and Die of Shame (May 2016), in which Thorne has minor roles. Billingham claims to have imbued Thorne with many of his own characteristics, such as a birthday, a locale (London), and a "love of country music both alt and cheesy". [3] [11]In Love Like Blood , DI Tom Thorne, “the next superstar detective,” teams up with perfectionist DI Nicola Tanner, the protagonist of Billingham’s acclaimed stand-alone thriller Die of Shame (Lee Child). I haven't read any of the other books in the author's DI Tom Thorne series but I did read the prior DI Nicola Tanner book, "Die of Shame", which I liked more than I liked this book. However, this book works as a standalone. Tanner's partner Susan was recently murdered in their home and she is currently on compassionate leave. Tanner believes that she was actually the target of the killers because of her work on a series of honour killings within the Muslim, Sikh and Hindu communities and she enlists the help of Thorne to conduct an unofficial investigation of Susan's death. Their search is complicated when a teenaged couple disappears. The topic of honour killings was a novel one, but otherwise this was a straightforward police procedural. There was a lot of filler with Tanner's mourning and Thorne's home life with his girlfriend and her 3 year old son. I'm one of those readers who doesn't care about the lives of the detectives, so it felt like padding to me. The book was fine, though unexceptional, and I'd be willing to read more by this author.
Brimming with wit, expertly paced, and wholly enjoyable — The Last Dance is a showcase of Billingham’s exceptionally gifted storytelling. Mark Billingham is at his best!”— Karin Slaughter, New York Times bestselling author of the Will Trent series LLB - and I have no clue what the title means even after having read the book - is another example of a novel (a weak pun) story line. It is about "honor" killings in the Hindu, Sikh, and Muslim communities in the UK, namely members of families whose honor has been damaged by the behavior of a sister, brother, daughter.... then killing those "sinners" or arranging for it. Because of the tight knit relationships within these influential communities, most of these murders go unreported and the victims are often last remembered as "missing". The estimated numbers of these murders however is staggering. Around 1987 he decided to pursue a career in comedy, stating:"[The] one great advantage of stand-up comedy [is that] nobody gives a stuff about what you look like – as long as you're funny, and if you can do it, and people laugh, then you'll get bookings." [3] Billingham cites his breaking into stand-up as a simple progression from 5-minute, unpaid "try-out" spots to 10-, 20- and 30-minute paid slots. [3] Billingham has headlined at the Comedy Store, where he also appears regularly as a Master of Ceremonies. [3] Clearly this is not just another murder mystery, but a novel with a mission. The statistics horrify. 3000 honour crimes reported every year, these often disguised as something else to protect "grieving" families from prosecution. People can be hired to do the deed - some acting from fervent religious beliefs, others because they simply enjoy killing especially when it pays so well.After graduating with a degree in drama from the Department of Drama and Theatre Arts, he helped form a socialist theatre company, Bread & Circuses, in Birmingham. Bread & Circuses toured with shows in schools, colleges, arts centres and the street. [3] In the mid-1980s he moved to London as a "jobbing actor", taking minor roles in episodes of TV shows Dempsey and Makepeace, Juliet Bravo, Boon, and The Bill. [2] [4] After playing a variety of "bad guy roles such as a soccer hooligan, drug addict, a nasty copper, a racist copper or a bent copper", he claimed that he had become disenchanted with acting and that the emphasis was not on talent, but on looks. [3]
When she’s put on compassionate leave, some of her colleagues are hoping a little time away will help ease tension between the victim’s families & police. The main character, Thorne, is one of the worst detectives I have ever seen. Followed closely by Tanner. They endanger other people's lives by not sharing their theories, they have ridiculous tactics and barely seem to do any work. Tanner seems completed unbothered that people want to kill her and barely seems touched by her partner being killed.Admonish and scourge. There is a debate here about causation. Maybe it’s just easier (but, in some ways, not easy at all) for an ex-Muslim to make a case against religion than a white guy born Church of England. But what both writers agree on is the fundamentally criminal aspect of “honour”. It conflicts with the basic human right not to have the life squeezed out of you. Billingham’s book, perhaps without intending to, makes Hirsi Ali’s argument for a “reformation” of her own rejected religion all the more cogent. In Maid Marian and her Merry Men, Billingham played Gary, a dim-but-lovable guard in the employ of the Sheriff of Nottingham ( Tony Robinson), as part of a double-act with Graeme ( David Lloyd).
- Fruugo ID: 258392218-563234582
- EAN: 764486781913
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