Wasting Light
- Brand: Unbranded
Description
The opening 40 seconds is as good an album opening as you will ever hear and the rest of the song doesn't let up with machine-gun guitar in the verses and a chorus that shows the Foos still have one or two surprises up their sleeves.
The vinyls themselves are in a good condition but sadly the outer casing is bowed and won't sit flat, almost like they weren't glued together correctly. and listed in three rankings of the 50 best albums of the year: 20th by Rolling Stone, [71] 43rd by NME, [72] and 46th by Spin. They rehearsed the songs with the intent of recording them live in Grohl's garage, unlike their previous approach of coming up with parts during the recording process. This is not the case here with Grohl and co regularly turning up with extra ingredients and crafting them perfectly into bigger and better songs. Didn’t hear your warning/Damn my heart gone deaf,” Grohl sings as the initial darkness – a solitary guitar and the quiet cutting guilt in his voice, set in inky reverb – slowly blows up to a purging rage: “No, I cannot forgive you yet/To leave my heart in debt.Bridge Burning,” which opens the record with insect-chatter guitars and Hawkins’ avalanche rolls, is hellbent metal with a chrome-finish vocal hook. Eventually he gave up and decided to punch in and punch out tapes instead, as the process was time-consuming and a more editable tape sent to Vig from Smart Studios was mostly ruined by one of Grohl's daughters. This is no small beer, especially when one considers that even the group’s staunchest of admirers would surely be pressed to nominate any of their previous albums as being classics in the manner of Absolution or American Idiot. They later rerecorded two of the songs, " Wheels" and "Word Forward", for their 2009 Greatest Hits album.
The album name, taken from a lyric in "Miss the Misery", was chosen by Grohl because "it seemed to resonate with me: 'OK, that's what we're here doing'", as the band always "recorded each album thinking it could be our last" and tried to take the most of their tenure together—"we're only here for a short time, we're lucky to be alive, lucky to be a band; I don't take any of this for granted; I don't want to spend my time looking backwards, I want to look forwards". Grohl, bassist Nate Mendel, drummer Taylor Hawkins and guitarists Chris Shiflett and Pat Smear cut this action the ancient punk-rock way, to analog tape in Grohl’s garage, and it shows in the razorback blur of the guitars and the hard-rubber slap of the drums.
Advance word on Wasting Light is strong, with a number of its creators’ devotees describing the set as being the group’s best album since 1997’s The Colour and the Shape. If you are an existing fan you won't be disappointing and if you a new to the band this is as good a place as any to start. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 78, based on 37 reviews. Mikael Wood of Spin observed a "back-to-basics aspiration" and dubbed the album "Grohl's most memorable set of songs since 1997's The Colour and the Shape.
He warned the band that they would have to play well, as mistakes were not easily corrected without digital technology. Hawkins wanted to avoid the "artificial sound" of contemporary recording and believed an analog project would help the band reclaim artistic freedom. Vig started doubting it could be done fully analog once the tapes for the first song recorded, "Miss the Misery", started falling apart, but Grohl reassured him "no, Butch, I don't want any computer in this house at all.Though he would drum with them during a "Saturday Night Live" performance later that year, Grohl ultimately declined, to start over from scratch and do what he's still doing today: front a band. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Greg Kot of the Chicago Tribune felt that, although it is "competently" performed, the songs are not innovative and suffer from "clichés", including "hardcore punk screed", "streamlined rocker", and "melodramatic power ballad". In fact, said garage was built with the arena in mind, and as a result Wasting Light sounds just as mammoth and capable of knocking out teeth as anything Foo Fighters have recorded since the late 90s.
- Fruugo ID: 258392218-563234582
- EAN: 764486781913
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