Murder Your Employer: The McMasters Guide to Homicide: THE NEW YORK TIMES BESTSELLER

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Murder Your Employer: The McMasters Guide to Homicide: THE NEW YORK TIMES BESTSELLER

Murder Your Employer: The McMasters Guide to Homicide: THE NEW YORK TIMES BESTSELLER

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Murder Your Employer: The McMasters Guide to Homicide by Rupert Holmes is presented as a handbook written by Dean Harbinger Harrow of McMasters Conservatory and details the experiences of three students from the graduating class – aeronautics engineer Cliff Iverson (whose anonymous sponsor remains a mystery revealed at the end of the story), hospital employee Gemma Lindley and Dulcie Mown (alias for Hollywood diva Doria Maye) - each of whom seeks to execute a sanctioned deletion of their respective employer/boss. We follow all three candidates through their orientation, training and ultimately their “thesis” which translates into how to apply all they have learned in executing their plan, failing which has its own set of consequences. Much of Cliff Iverson’s story is told through journal entries (first person PoV). Prepare for an education you'll never forget. A delightful mix of witty wordplay, breathtaking twists and genuine intrigue, Murder Your Employer will gain you admission into a wholly original world, cocooned within the most entertaining book about well-intentioned would-be murderers you'll ever read.

There are some parts that were slow and dragged a bit, but overall this is a highly original tale that has widespread appeal. The ending is superb, so even if you get to some of the slower parts definitely power through and you'll be rewarded in the end.I will be honest, the book lost me somewhere in the middle. As soon as they were out in the world, preparing to execute their assignment (pun intended), I got a little lost. Mostly because I wasn’t aware of their plans. And the other part is maybe because I prefered the school setting. We knew mostly about Cliff’s plans, but even he went off script. And I know that the surprise and mystery elements have a say in us going in blindly, but I didn’t enjoy it because everyone was scheming at the same time and it was difficult for me to follow all three storylines without a lot of clues. If this was done separately, I would not have faced character and plot exhaustion and would have enjoyed this book so much more.

The campus of this "Poison Ivy League" college-its location unknown to even those who study there-is where you might find yourself the practice target of a classmate...and where one's mandatory graduation thesis is getting away with the perfect murder of someone whose death will make the world a much better place to live. Edgar winner Holmes ( Swing) frames this cheeky 1950s-set crime novel as a self-study guide for those who can’t afford tuition to the McMasters Conservatory for the Applied Arts, a “finishing school for finishing people off” whose location is kept secret from even those enrolled. The book-within-a-book’s author, McMasters dean Harbinger Harrow, chronicles the experiences of three students to educate at-home pupils by example. Baltimore engineer Cliff Iverson, British hospital worker Gemma Lindley, and incognito Hollywood star Dulcie Mown may hail from different walks of life, but all are at McMasters for the same reason: to learn how to kill their sadistic employers without getting caught. Harbinger warns from the start that not all three students will succeed in their respective missions, fostering a sense of mystery surrounding who fails, why they fail, and how spectacularly. Though the book feels overlong, sapping some of its drive, and Holmes never fully commits to his conceit, his farcical plotting, idiosyncratic characters, and witty, stylish prose combine for a fun, frothy read. Fans of humorous historical fiction will be well entertained. Agent: Jennifer Joel, ICM Partners. (Feb.) I maneuvered my newly cumbersome form as daintily as Oliver Hardy doing a soft-shoe with Stan Laurel, passing through the gauntlet of a turnstile and down concrete steps onto the subway’s uptown platform, and discovered with satisfaction that my target was standing exactly where I’d wanted him to be: Merrill Fiedler, a crisply groomed success story in his early fifties, in town on business for Woltan’s Baltimore plant, where he’d been my supervisor. He was currently thumbing a magazine by a newsstand at the south end of the platform only a few yards away from me, precisely as I’d managed to contrive. I needed Fiedler positioned on the platform where uptown trains entered the station. At the far end, the train would already be braking to a halt and might not deliver an instantly lethal blow.

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If they refuse to reform, you can proceed with a clear conscience. After all, when the behavior of another person leaves you no choice but to kill them, their murder is simply involuntary suicide.” I mean lol. I thought this story was going to be amazing, but it just didn't work for me. It was messy, the writing didn't work for me, there were way too many unneccessary details and I felt no connection to the characters.

Dobson had not taken his eyes off my face, but it seemed safe to assume he didn’t have a schoolboy crush on me. “Were you planning to ask why I want to know where you were?” he asked with genuine curiosity. “See, usually when I ask someone for an alibi, they want to know why.”The first portion of the book centers on Cliff Iverson, who is anonymously "sponsored" into becoming a student at the McMaster Conservatory for the Applied Arts, a clandestine academy designed to help its students learn how to become "deletists," otherwise known as murderers. This first half alternates between sections from the academy's textbook/manual, and journal entries from Iverson and from the dean of McMaster. I felt that the use of journals kept the reader one step removed from the action, and 1/3 of the way through, I was missing much sense of a plot. The world-building felt a bit heavy-handed. Rupert Holmes has received two Edgar Awards from the Mystery Writers of America, and multiple Tony® and Drama Desk Awards for his Broadway mystery musicals, including the book of Curtains and his sole creation, the Tony® Award–winning Best Musical The Mystery of Edwin Drood. His first novel, Where the Truth Lies, was nominated for a Nero Wolfe award for Best American Mystery Novel, was a Booklist Top Ten Debut Novel, and became a motion picture starring Colin Firth and Kevin Bacon. His second novel, Swing, was the first novel with its own original, clue-bearing musical score. He has adapted Agatha Christie, John Grisham, and R.L. Stine for the Broadway and international stage. His short stories have been anthologized in such collections as Best American Mystery Stories, Christmas at the Mysterious Bookshop,and On a Raven’s Wing. Holmes’s earliest story-songs were published in Ellery Queen’s Mystery Magazine and he is also the writer/vocalist of several Billboard Top 10 hits, including his Billboard #1 multi-platinum classic with a memorable twist-ending: “Escape (The Pina Colada Song).”



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