La Place

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La place, extraits lus par l'autrice, musique de Jean-Jacques Birgé, Francis Gorgé et Michèle Buirette, Ed. Ducaté, cassette (1988) ernaux ile gerçekten aynı frekansta, ne bileyim, aynı ses dalgası düzeyindeymişiz gibi hissediyorum. her bir cümlesi, her bir kelimesi beynimde sonsuz yankılar yaratıyor. ve bu yüzden de bu kısacık, hiçbir fazlalığı olmayan, sade yazım şekli de bendeki etkisini daha da büyütüyor. uzatsa, içini doldurmaya gayret etse sanki benden uzaklaşacakmış gibi. buluşabileceğimiz en sade, en naif kesişim kümesinde buluşmuşuz.

Arribert-Narce, Fabien, Photobiographies: pouruneécriturede notation de la vie( Roland Barthes, Denis Roche, AnnieErnaux). –Paris :Honoré ChampionÉditeur, 2014 The first half of the book has a downright naturalistic slant: the hard work, the austerity of life, the impossibility to enjoy. Ernaux describes it all in a very clinically distant way, and in the second half portrays her own rebellion against the life and worldview of her parents. Between the lines you occasionally notice some self-doubt, namely whether she has not betrayed her own environment by her entry into the world of bourgeoisie; and perhaps that's the reason why she wrote this book: “Je hasarde une explication: écrire c'est le dernier recours quand on a trahi.” In that sense, this harsh book may be a form of therapeutic writing. Le même prix qui entre autres avait autrefois récompensé Marcel Aymé et sa superbe "Table aux crevés", "voyage au bout de la nuit" de Céline et " les beaux quartiers" d' Aragon.Annie Ernaux’s trademark is to write short memoirs about a certain period in her life or about a member of her family. In this case, she chose her father, a simple hardworking man. The book starts with his death and then continues with the Ernaux’s grandfather’s life. After reading to the end, it seems that the book was written as a therapy for the author. She is obviously feeling guilty for distancing herself from her father while transitioning towards middle class. Her father is focussed on appearing in good standing to the community, making a success of his small grocery shop. One can already soon imagine how this leads to a divide between him and his daughter. I felt the portrayal, while being factual, to be emotional. As a reader you feel the distance between generations, how people are shaped by their upbringing and can't transcend these bounds even with those theoretically closest to them. At times I recognise the same with my father, who almost always ask me if I still have a job, himself having grown up in the eighties with hundreds of rejection letters, while I completely feel different about the subject. Comme maître Corbeau perché sur son arbre, après avoir lu "je ne suis pas sortie de ma nuit", j'avais ouvert un large bec et juré que l'on ne m'y reprendrait plus.

Willging, Jennifer, Tellinganxiety :anxious narration in the work of MargueriteDuras, AnnieErnaux, NathalieSarraute, and Anne Hébert. –Toronto :University of Toronto Press, 2007 I think that movin into an upper social class is easier when it’s making money through trade and being richer than your family was. Your change is more that you can afford more things/services.

A few years later, she gave us an even shorter portrait, now of her mother, simply called Une femme(1987; A Woman’s Story,1990). It offers significant elucidations on the nature of Ernaux’s writings, shifting between fiction, sociology and history. In its severe brevity it is a wonderful tribute to a strong woman, who more than the father hadbeen able to maintain her dignity,oftenin fraughtconditions. In her relationshiptohermother, shame andoneroussilencearenot present in the same acute way.

Il n'est jamais entré dans un musée, il ne lisait que Paris-Normandie et se servait de son Opinel pour manger. Ouvrier devenu petit commerçant, il espérait que sa fille, grâce aux études, serait mieux que lui. LesannéesSuper-8. Documentary. Directors: AnnieErnaux– DavidErnaux-Briot. Writer AnnieErnaux. (Voice) :AnnieErnaux. 2022 Works in English L’immigré del’intérieur[Spectacle] / miseenscèneetscénographieJean-MichelRivinoff;pièced’AnnieErnaux. –Orléans :Théâtred’Orléans, 2011-01-12Hay que admirar la habilidad de Ernaux para escribir de una manera tan alejada y sin emoción, como un reportero transmitiendo las noticias. Sin embargo, yo por mi parte necesito emoción en mis lecturas, ya sea amor u odio, pero algo al menos, de otra forma tal vez me sienta más inclinado en leer en su lugar un panfleto de tendencia en mueblería. Terminei de pôr em dia a herança que tive de depositar na soleira do mundo burguês e culto quando nele entrei.» A book written by an author about her father after his death will always be an emotional one. But this book is something different as it belongs to the category of therapeutic writing. Ernaux also talks about this therapeutic writing beautifully in her other book, A Woman's Story. His great satisfaction, possibly even the raison d`etre of his existence, was the fact that I belonged to the world which he had scorned him. Acteurs dusiècle/textesde AnnieErnaux, FrançoisSalvaing, EdgarMorin ;préfacede Bernard Thibault. –Paris :Éd.Cercle d’art, 2000

Rossi, Marie-Laure, Écrire enrégimemédiatique:Marguerite Duras et AnnieErnaux:actricesetspectatricesde lacommunicationde masse. –Paris :L’Harmattan, 2015No lyrical reminiscences, no triumphant displays of irony. This neutral way of writing comes to me naturally, it is the very same style I used when I wrote home telling my parents the latest news."